Inauguration day: October 29th from 7.00 pm to 9.00 pm, 4th floor at the MOORE, Miami Design District, 4040 NE 2nd Ave, Miami, FL 33137
The exhibit will remain open until November 24th.
To confirm your participation please RSVP to the following email: paladini@msn.com
For more information: paladini@msn.com / +1 786 7970799
ALBERTO BIASI – Beyond the Visible – TALK AND TOUR
November 19th, 2025, 6.30-8 pm
4th floor at The MOORE
Please join us for a Talk followed by a Tour of the exhibition Alberto Biasi: Beyond the Visible. Hosted by Isabela Villanueva, Venezuelan Art Historian and Curator at the Museum of Art and Design Dade College, and Alessandro Paladini, curator of the exhibition and owner SEA Contemporary Art, gallery based in the Republic of San Marino and Miami. We will discuss, explore, and understand the work of internationally renowned Italian kinetic artist Alberto Biasi and its relation to other kinetic artists, such as Jesús Rafael Soto, Carlos Cruz-Diez, Julio Le Parc, and others.
THE MOORE MIAMI -Miami Design District 4040 NE 2nd Ave, Miami, FL 33137
The exhibition will remain open until November 24th. Please RSVP to the following email: paladini@msn.com to book a private tour
For more information call +1786 7970799 or write at: paladini@msn.com
Alberto Biasi: The Breathing Eye
There are artists who paint, and there are others who build atmospheres. Alberto Biasi belongs to this second lineage — those who turn space into vibration and light into substance. Since his first experiments in Padua in the late 1950s, his work has been a dialogue between the visible and the invisible, between geometric certainty and the fluid instability of perception.
Before a work by Biasi, stillness is impossible. The gaze glides, shifts, stumbles upon reflections, discovers zones that seem to breathe. Nothing remains fixed: color pulses, lines tremble, forms open as if a secret wind lived within them. In these surfaces, woven like fabrics of energy, the viewer’s eye becomes the true protagonist — it is the observer who completes the work, who sets it in motion through presence alone.
His participation in the Gruppo N marked the beginning of a collective adventure that sought a new kind of art — liberated from romantic gesture and the burden of representation. Yet Biasi was never a cold rationalist. Within the precision of his structures lies an almost organic sensitivity, a hidden lyricism beneath the apparent objectivity of line and form. His Torsioni and Optical-Dynamic Reliefs are visual organisms: they breathe light, throb with the movement of air, and vibrate with the viewer’s shifting perspective.
Over time, his work has preserved the same purity — the same faith in perception as a site of revelation. Before his pieces, one feels that the eye does not simply look: it feels. It feels the expansion of color, the undulation of form, the tension between matter and emptiness. It is an art that does not impose itself, but invites; that does not shout, but whispers with hypnotic precision.
Alberto Biasi has built a universe where abstraction becomes emotion. His language belongs not only to optical or kinetic art, but to a deeper poetics: light as thought, movement as breath. In his work lies a quiet lesson in wonder — a reminder that reality is never fixed, and that to truly see is always an act of transformation.
Klaus Steinmetz
